Jessamyn Go is a New York–based ceramic artist whose sculptural practice merges material exploration with a deep engagement in empathy, environmental awareness, and shared human experience. Working primarily in hand-built stoneware and porcelain, Go creates tactile works that draw from natural architectures, anatomical forms, and personal memory—inviting viewers into a space of emotional resonance and quiet contemplation.
Go holds a BS in Studio Art from New York University. Her work has been exhibited internationally, including the XV Florence Biennale, 1000 Vases in both Milan and Paris, and the Every Woman Biennial in New York in 2023. In 2025, she was named an Andy Warhol Artist through The Nature Conservancy of New York and received the Long Island Community Impact Grant. She is also a recipient of the Optimum Small Business Grant through the LIA Foundation. Her work is represented by Kasper Contemporary and Russell Steele, and is featured at the Parrish Art Museum Store.
Go is the founder of Femme Sole Studio and Director of the Community Art Lab with the Mastic Beach Conservancy. She also leads the ceramics program at The Studio at Gallery North, where she advances community-centered arts education and accessible creative programming. Across all facets of her practice—from studio production to public engagement—Go foregrounds equity, connection, and the transformative potential of craft.
“I am captivated by the tactile sensation of my hands in the earth. a deliberate process that allows me to dive deep into a meditative state. It is in this state where a dialogue comes to life in 3D sculptural biomorphic forms. My approach is intuitive, exploring clay’s responsive nature to touch, pressure, and will, often embracing moments of surrender.
Surface finishing is a vital aspect of my work. I create a variety of surface designs that recur in the different collections I produce. From the lustrous raku metallic sheen to boldly hand painted words that adorn the surface. The inviting mix of textures of the clay and crackled formulated glazes are another aspect of engagement I present on the vessels and sculptures. I am drawn to the tactile experience of creating sculpture. My intention is to create a physical experience for viewers, inviting them to engage with each piece, evoking a desire to move around, touch, hold, and caress.
Through my work, I aim to create a tangible dialogue, inviting viewers to connect with the pieces on a sensory and emotional level,” -Jessamyn Go
Femme Sole is a private ceramic studio nestled in the heart of Mastic Beach on the East End of Long Island. Dedicated to the art of slow craftsmanship, Jessamyn offers a collection of finely handcrafted ceramics that embody timeless elegance and thoughtful design. Each piece reflects a harmonious balance of form and function—inviting a deeper appreciation for the beauty of the handmade.
Her work speaks to those with discerning taste, inspiring a return to intentional living. Through soulful, one-of-a-kind vessels, collectors are encouraged to elevate their daily rituals—transforming the ordinary into the extraordinary with objects that carry meaning, presence, and enduring sophistication.
WHAT IS FEMME SOLE?
What does Femme Sole mean?
“For me the significance of “Femme Sole” amplifies the existence of Womxn owned businesses. Each Femme Sole ceramic piece encapsulates the vitality and spirit of the brave individuals who confront the ongoing struggle for peace, engaging in a relentless fight against violence and oppression directed towards the vulnerable, including Womxn, BIPOC, and LGBTQIA+ communities.”
Click here for a historical context of the words “Femme Sole”.
Birds eye view of trimming a brown cup
Image of the inside of the Femme Sole Ceramic Studio.
Close up of the Femme Sole Signature Collection Vases by Jessamyn Go
Image of hanging pots in jute twine
I acknowledge the Unkechaug Nation, the original stewards of the land where I live and work in Mastic Beach, NY. I honor their enduring relationship to this land and recognize their ongoing cultural, spiritual, and environmental contributions. I pay my respects to their Elders past, present, and emerging, and extend that respect to Indigenous communities connected to the materials and traditions within my practice.